Slipstream
Released April 10, 2012
Produced by Bonnie Raitt
*Produced by Joe Henry
Recorded and Mixed by Ryan Freeland
ⓅⒸ 2012 Redwing Records
1. Used to Rule the World (4:18)
2. Right Down the Line (5:29)
3. Million Miles (6:27)*
4. You Can't Fail Me Now (4:18)*
5. Down to You (3:59)
6. Take My Love With You (4:24)
7. Not Cause I Wanted To (3:37)
8. Ain’t Gonna Let You Go (5:59)
9. Marriage Made In Hollywood (4:55)
10. Split Decision (4:35)
11. Standing In The Doorway (5:24)*
12. God Only Knows (4:42)*
1. Used to Rule the World
(Randall Bramblett)
Bonnie Raitt: Vocals, Electric/Slide Guitar
Mike Finnigan: Hammond B3, Backing Vocal
George Marinelli: Electric Guitar
Johnny Lee Schell: Electric Guitar
James “Hutch” Hutchinson: Bass
Ricky Fataar: Drums
Luis Conte: Percussion
© 2008 Blue Ceiling Music (BMI) All rights admin. by Calhoun Enterprises. All Rights Reserved. Used by Permission.
2. Right Down the Line
(Gerry Rafferty)
Bonnie Raitt: Vocals, Electric Slide Guitar and Arrangement
George Marinelli: Harmony Vocal, Electric Guitars
Mike Finnigan: Hammond B3, Clavinet
James “Hutch” Hutchinson: Bass
Ricky Fataar: Drums, Timbales
Luis Conte: Percussion
Maia Sharp: Backing Vocal
© 1978 Music Of Stage Three (BMI). All rights admin. by BMG Chrysalis. All Rights Reserved. Used by Permission.
3. Million Miles
(Bob Dylan)
Bonnie Raitt: Vocal, Acoustic Guitar, Electric Slide Guitar
Bill Frisell: Electric Guitar
Greg Leisz: Acoustic Guitar
Patrick Warren: Piano
David Piltch: Upright Bass
Jay Bellerose: Drums
© 1997 Special Rider Music (SESAC). All Rights Reserved. Used by Permission.
4. You Can't Fail Me Now
(Joseph Lee Henry/Loudon Wainwright III)
Bonnie Raitt: Vocal
Bill Frisell: Electric Guitar
Greg Leisz: Acoustic Guitar
Patrick Warren: Wurlitzer
David Piltch: Upright Bass
Jay Bellerose: Drums
© 2007 Universal Pictures Music (adm. By Universal Music Corp. [ASCAP]). All Rights Reserved. Used by Permission.
5. Down to You
(Music by George Marinelli, Lyrics by Bonnie Raitt and Randall Bramblett)
Bonnie Raitt: Vocal, Electric/Slide Guitar
George Marinelli: Harmony Vocal, Electric Guitar
Mike Finnigan: Piano and Organ
James “Hutch” Hutchinson: Bass
Ricky Fataar: Drums
Gang: Handclaps
© 2012 Lapiotrope Music (BMI) admin by Bluewater. Open Secret Music (ASCAP.) Blue Ceiling Music (BMI) admin by Calhoun Enterprises. All Rights Reserved. Used by Permission.
6. Take My Love With You
(Gordon Kennedy/Wayne Kirkpatrick/Kelly Price)
Bonnie Raitt: Vocal
George Marinelli: Acoustic, Electric Guitar, Backing Vocal
Al Anderson: Acoustic Guitar
Mike Finnigan: Hammond B3, Wurlitzer
James “Hutch” Hutchinson: Bass
Ricky Fataar: Drums
Maia Sharp: Backing Vocal
Jeff Young: Backing Vocal
Luis Conte: Percussion
© 2011 Universal Music Corp. (ASCAP)/Bo Cut Songs (ASCAP)/Big Beautiful One (ASCAP). All rights admin. by Universal Music Corp.
© 2012 Warner-Tamerlane Publishing Corp. (BMI) Sell The Cow Music (BMI). All rights admin. by Warner-Tamerlane Publishing Corp. (BMI). All rights reserved. Used by permission.
7. Not Cause I Wanted To
(Al Anderson/Bonnie Bishop)
Bonnie Raitt: Vocal
Al Anderson: Acoustic Guitar, Lead Solo
George Marinelli: Electric Guitar
Mike Finnigan: Hammond B3
Patrick Warren: Pump Organ
James “Hutch” Hutchinson: Uprtight Bass
Maia Sharp: Harmony Vocal
© 2012 Cash Box Music (BMI)/ Alrighty Den Music (BMI) admin by WAMA, Inc. All Rights Reserved. Used by Permission.
8. Ain’t Gonna Let You Go
(Al Anderson/Bonnie Bramblett)
Bonnie Raitt: Vocal, Electric Slide Guitar
Al Anderson: Acoustic Guitar
Mike Finnigan: Hammond B3, Wurlitzer
James “Hutch” Hutchinson: Bass
Ricky Fataar: Drums
George Marinelli: Shakers
© 2012 Songs of Kicking Bird Music (BMI), Stairyway to Bittner’s Music (BMI) and Bug Music (BMI) admin by BMG Rights Management. All Rights Reserved. Used By Permission.
9. Marriage Made In Hollywood
(Paul Brady/Michael O'Keefe)
Bonnie Raitt: Vocal
George Marinelli: Electric and Acoustic Guitars, Mandolin
Mike Finnigan: Hammond B3, Wurlitzer
James “Hutch” Hutchinson: Bass
Ricky Fataar: Drums, Tambourine
Paul Brady: Harmony Vocal
Maia Sharp: Backing Vocal
© 2006 Sandyford Songs (ASCAP) admin By Ten Ten Music Group/ Standard Glands, Inc. (ASCAP). Used by permission. All rights reserved.\
10. Split Decision
(Al Anderson/Gary Nicholson)
Bonnie Raitt: Vocal, Electric Slide Guitar, Tambourine
Al Anderson: Harmony Vocal, Electric Guitar
Mike Finnigan: Hammond B3
James “Hutch” Hutchinson: Bass
Ricky Fataar: Drums, Tambourine
©2012 Mighty Nice Music (ASCAP) admin by Bluewater Music Services Corp./ Bughouse (ASCAP) admin by BMG Rights Management. Sony/ATV Cross Keys Publishing (ASCAP)/ Four Sons Music (ASCAP) admin by Sony/ATV Cross Keys Publishing. All rights reserved. Used by permission.
11. Standing In The Doorway
(Bob Dylan)
Bonnie Raitt: Vocal, Electric Slide Guitar
Bill Frisell: Electric Guitar
Greg Leisz: Pedal Steel
Patrick Warren: Piano, Keyboards
David Piltch: Upright Bass
Jay Bellerose: Drums
© 1997 by Special Rider Music (SESAC). Used by permission. All rights reserved.
12. God Only Knows
(Joe Henry)
Bonnie Raitt: Vocal
Patrick Warren: Piano, Keyboards
© 2007 Chrysalis Music/Blood Count Music (ASCAP). All rights administered by BMG Rights Management (US), LLC. Used by permission. All rights reserved.
Recorded at Ocean Way Studios, Hollywood, California
Second Engineer Wesley Seidman
Overall Guitar/Bass Wrangler Manny Alvarez
Summer 2011
*Tracks 3, 4, 11 and 12
Recorded at the Garfield House Studio, South Pasadena, California, Fall 2010 and Spring 2011
Mixed at Stampede Origin Studio, Culver City, California, Summer 2011
Al Anderson overdubs on Split Decision recorded by Scott Baggett
Paul Brady overdubs on Marriage Made In Hollywood
Patrick Warren overdubs on Not Cause I Wanted To and Standing In The Doorway
George Marinelli overdubs on Take My Love With You
Mastered by Bob Ludwig at Gateway Mastering, Portland, Maine
Management: Kathy Kane with Annie Heller-Gutwillig,
Chloe Monahan and Mary Skerrett
Art Direction/Design: Norman Moore, DesignArtLA.com
Photography: Matt Mindlin
Photography Assistants: Omar Gaieck and Chris Soule Background Photography: Norman Moore
Stylist: Kate Lindsay
Makeup: Gunn Espegard
Set Design: Jon Lee and Chris Lee
Project Coordinator: Kathy Kane
SPECIAL THANKS:
Thank you to Joe, Ryan, our special guest Bill Frisell; Greg, David, Jay, Patrick, Johnny Lee, Luis, Jeff, Maia, Paul, Al, Hutch, Ricky, George and Mike.
Thank you to all the great writers who contributed to this album.
Thank you to our touring crew Manny Alvarez, Ky Cabot, Derek Williams, Paul Middleton, Daniel O’Brien, Kari Stephens, Rolland Ryan, Ross Lahey, Clint Boire and Kevin Dockey; Sheba Posnansky; Our friends at Schubert Systems Group, Dirk Schubert and Mike Gonzales; Tom Campbell at The Guacamole Fund; and
Paul Goldman, Ron Kaplan, Garry Buck and everyone at Monterey International.
For our beautiful package, thank you to Norman, Matt, Kate and Molly; Focus Studio, Jon Lee, Chris Lee, Gunn Espegard, Elie Tahari and Meredith Viollis.
Thank you to our Redwing Records team – Fred Croshal, Jimmy Brunetti and all at CEG; Brian Porizek; Howard Gabriel, Liz Snair, Danny Buch, Ellena Osis, and all our team at RED; Marilyn Laverty, Mark Satlof, Rebecca Shapiro, Elizabeth Lutz and all at Shore Fire Media; Malcom Mills and everyone at Proper Records; Janine Small and Elliot Groffman; Lisa Thomas and Ian Marsh; Bill Tannenbaum; and Paul and Shane Glass with GJG.
And very special thanks to my amazing management team – Kathy Kane, Annie Heller-Gutwillig, Chloe Monahan and Mary Skerrett.
Correspondence:
PO Box 626, Los Angeles, CA 90078
www.bonnieraitt.com
www.redwingrecords.com
RWR001 ⓅⒸ 2012 Redwing Records, LLC. Distributed in North America by Alternative Distribution Alliance, LLC. All rights reserved.
Bonnie Raitt started anew with the release of her nineteenth album, Slipstream. The album marked her return to studio recording after seven years and the launch of her label, Redwing Records. A huge success, Slipstream sold over a quarter-million copies in 2012, making it one of the top selling independent albums. From The New York Times to People Magazine, the album was lauded in top critic's lists for album of the year and earned Raitt a GRAMMY nomination for Best Americana Album.
Raitt sold out over half of her 80-date North American concert tour, and made several national TV appearances (Ellen, Leno, Letterman, GMA, Fallon and more), performed at the 2012 Kennedy Center Honors and received the Lifetime Achievement Award for Performance from the Americana Music Association. Slipstream delivers some of the most surprising and rewarding music of Raitt's remarkable career, thanks in part to some experimental sessions with celebrated producer Joe Henry.
The years before and after Raitt's last album, 2005's acclaimed Souls Alike, weren't an easy time for her, with the passing of parents, her brother, and a best friend. So after following that album with her usual long run of touring—winding up with the "dream come true" of the "BonTaj Roulet" revue with Taj Mahal in 2009 and a triumphant appearance at the all-star Rock and Roll Hall of Fame 25th anniversary concerts the same year— she decided to step back and recharge for a while.
"I took a hiatus from touring and recording to get back in touch with the other part of my life," she says. "On the road, under stress, it's hard to stay in balance and move forward." Excited to have time at home and with her family and friends, she could go to the symphony, check out live jazz and Cuban shows, and so much else. She continued her ongoing political work, helping to organize NukeFree.org in 2007 and supporting her favorite non-profit organizations. "I didn't have to be the professional version of myself for a long time," she says. "It wasn't so much a vacation as a chance to take care of a lot of neglected areas of my life, a lot of processing after all that loss and activity."
When she started thinking about making music again, Bonnie knew she needed to try something out of the ordinary. "I was really interested in working with different people, and someone I had always been drawn to was Joe Henry," she says. "I'm a big fan of his writing and albums and love the work he's done producing Allen Toussaint, Solomon Burke, and others. I thought it would be really intriguing to see what we could come up with. Coincidentally, he had been wanting to call me as well. Our first phone call lasted over two hours."
They found a brief window when Henry's usual crew of musicians was available, augmented by a new friend of Bonnie's, the magnificent guitarist Bill Frisell. "I didn't have to produce or get the band together, I could just show up and sing," she says. "I came to Joe's with, to use a Zen expression, 'beginner's mind.'" The experiment yielded eight songs in 48 hours, and Raitt was inspired to get back to work full force. "I loved singing these songs and playing with these guys so much," she says, "This was just the jumpstart I needed to get me back in the saddle and wanting to work on a new album."
She plans to release the full results of the Joe Henry sessions down the line, but for now she chose to include four of these tracks on Slipstream —the Henry originals "You Can't Fail Me Now" (co-written with Loudon Wainwright III) and "God Only Knows," and two songs from Bob Dylan's Time Out of Mind album, "Million Miles" and "Standing in the Doorway."
A few months later, Raitt gathered her long-time touring bandmates—George Marinelli on guitar, James "Hutch" Hutchinson on bass, and Ricky Fataar on drums—along with a new addition and an old friend on keys, Mike Finnigan (Taj Mahal; Joe Cocker; Crosby, Stills and Nash) in a Los Angeles studio. Bonnie was also pleased to have Maia Sharp, one of her favorite artists and a collaborator on Souls Alike, joining her team once again, adding back-up vocals to several songs.
Raitt retained Henry's engineer, Ryan Freeland (Ray LaMontagne, Ramblin' Jack Elliot, Aimee Mann), whom she loved working with, as a way to unify the project's sound. The band went straight to work and quickly recorded a slew of songs Raitt had been collecting over the last few years.
Where Raitt's last several albums concentrated on material from lesser-known and younger songwriters, Slipstream draws from more of her contemporaries, including Paul Brady and Michael O'Keefe's "Marriage Made in Hollywood" and a reggae-fied version of Gerry Rafferty's "Right Down the Line." Her longtime friend Al Anderson, formerly of NRBQ, contributes three songs and plays on four; his hard-bopping guitar work adds to the general sense of six-string gunslinging throughout the album. "One of the new things about this record is that we let the guitar jams go on for a while," says Raitt. George and I got into some rockin' back and forth like we do live, and I had a ball going head-to-head with Al Anderson, one of my all-time favorite guitarists, on his 'Split Decision.'
Released: April 2012
Slipstream
-
Doctor feelgood
Sleepin' on a concrete bench
Can I get a witness?
Miss South Carolina nineteen seventy-five,
Somebody stole your crown
You were sleeping in your happy home,
When you woke up baby,
Your life had come and gone
Now you're mystified,
Standing with the rest of us
Who used to rule the world
Brother Lovejoy
Rappin' up a blue streak
Can I get a witness?
Miss Hurricane can't keep your hands still
Long enough to count your change
You were wrapped up in your daily grind,
The cost of living
It didn't even cross your mind
Now you're mystified,
Standing with the rest of us
Who used to rule the world
Mister Blueprint
Used to have it figured out
Now you can't find your car
Miss Cocktail-Dress
Standing at the bathroom sink
Looking for a back way out
You can't believe your very eyes
Everything that you were counting on
Was nothing but a pack of lies
Now you're mystified,
Standing with the rest of us
Who used to rule the world
Now you're mystified,
Standing with the rest of us
Who used to rule, used to rule,
Used to rule the world -
You know that I need your love
You've got that hold over me
As long as I've got your love
You know I'll never leave
I wanted you to share my life
I had no doubt in my mind
And it's been you, oh baby
Right down the line
I know how much I lean on you
And only you can see
The changes I've been going through
Have left a mark on me
You've been as constant as a northern star
The brightest light that shines
And it's been you oh baby right down the line
I just wanna say this is my way
Of tellin' you everything
I could never say before
Yeah this is my way of tellin' you
That every day I'm lovin' you so much more
'Cause you believed in me through my darkest night
Put somethin' inside of me
You brought me into the light
Threw away all those crazy dreams
I put them all behind
And it was you, oh baby
Right down the line
I just wanna say this is my way of tellin' you everything
I could never say before
Yeah this is my way of tellin' you
That every day I'm lovin' you so much more
If I should doubt myself, if I'm losing ground
I won't turn to someone else
They'd only let me down
When I wanted you to share my life
I had no doubt in my mind
And it's been you, oh baby
Right down the line
It's been you, oh baby
Right down the line
It's been you, it's been you
Right down the light oh -
You took a part of me that I really miss
I keep askin' myself how long it can go on like this
You told yourself a lie - that's alright, mama, I told myself one too
I've tried to get closer but I'm still a million miles from you.You took the silver, you took the gold
You left me standin' out in the cold
People ask about you, I didn't tell them everything I knew
Well, I've tried to get closer but I'm still a million miles from you.I'm driftin' in and out of dreamless sleep
Throwin' all my memories in a ditch so deep
Did so many things I never did intend to do
Well, I've tried to get closer but I'm still a million miles from you.I need your love so bad, turn your lamp down low
I need every bit of it for the places that I go
Sometimes I wonder 'til it's just what it's all coming to
Well, I've tried to get closer but I'm still a million miles from you.Well, I don't dare close my eyes and I don't dare wink
Maybe in the next life I'll be able to hear myself think
Feel like talkin' to somebody but I just don't know who
Well, I've tried to get closer but I'm still a million miles from you.Yes, the last thing you said before ya hit the street
Gonna find me a janitor to sweep me off my feet
I said, "That's all right, mamma, you, you do what you gotta do"
Well, I've tried to get closer, I'm still a million miles from you.Rock me, pretty baby, rock me all at once
Rock me for a little while, rock me for a couple of months
And I'll rock you too
I'm tryin' to get closer but I'm still a million miles from you.Well, there's voices in the night tryin' to be heard
I'm sittin' here listening to every mind-pollutin' word
I know plenty of people put me up for a day or two
Yes, I'm tryin' to get closer but I'm still a million miles from you. -
I know that fan is moving air, I can see it in your hair
But I can't bear to breathe it in somehow
I'll rise and fall with you 'cause you can't fail me now
I'll rise and fall with you 'cause you can't fail me now
Salt is sweet upon my mouth
And dark throws sparks against my house
The state of love is a smudge on my brow
But you see through me and you can't fail me now
When you see right through me, you can't fail me now
I've bit off more than I can chew
It's something that I tend to do
When fewer words are what we need and how
Oh, you bite my tongue and you can't fail me now
I rant and rail but you can't fail me now
I've lost the thread among the vines
And hung myself in storylines
That tell the tales I never would allow
God knows the name of every bird
That fills my mind like angry words
But you know all my secret heart avows
We're taught to love the worst of us
And mercy more than life but trust me
Mercy's just a warning shot across the bow
I live for yours and you can't fail me now
I live for your mercy, you can't fail me now
You can't fail me now -
You come around cryin' that you just can't win
You thought this one was different
Now he's gone again
You just can't believe baby
"Why's that happen to me now?"
You step out on the track in the pourin' rain
And when you get run over, well, you blame the train
Just can't deny, baby
Life is passing you by, baby
And dontcha think that you had enough?
Ain't it time to get a different view?
Can't just wait around for what you want
It's all about the way you choose
Ain't nobody else that can make things right
Baby, it's down to you
Everywhere you look they're tryin' to do you in
You just can't understand they used to be your friend
It's always the same, baby
Someone else is to blame, baby
You still ain't got a clue that way it all rolls down
'Cause what you're dishing out is comeing back around
Same old song, baby
Gone on too long now
Dontcha think that you had enough?
Ain't it time to get a different view?
You can't just wait around for what you want
It's all about the way you choose
Ain't nobody else that can make things right
Baby, it's down to you
Down to you
Dontcha think that you had enough?
Ain't it time to get a different view?
You can't just wait around for what you want
It's all about the way you choose
Ain't nobody else that can make things right
Baby, it's down to you
Down to you, honey -
"Take My Love with You"
Daylight, I think about you and wonder where you are
At night I'm wishing, looking at the stars,
But I don't worry 'bout you, I know that soon you'll be home.
But while you're gone
Take my love with you.
Let it be the light that sees you through,
Chase away your blues.
Where you go and what you do,
Take my love with you.
I'll be your talisman. I'll be your lucky charm.
Put it in your pocket. Put it in your heart.
That in your weakness, baby, just let it help you along.
And make you strong
Take my love with you.
Let it be the light that sees you through,
Chase away your blues.
Where you go and what you do.
Take my love with you.
Take my love with you.
Take my love with you.
And if the world around you begins to crumble and fall,
It wouldn't matter at all
Take my love with you.
Let it be the light that sees you through,
Chase away your blues.
Where you go and what you do
Take my love with you.
Let it be the light that sees you through,
Chase away your blues.
Where you go and what you do,
Take my love with you.
Take my love with you.
Take my love with you.
Take my love with you.
Bonnie Raitt, Slipstream -
Well, I'm callin' you 'cause you deserve to know
You were not the reason that I had to go
Late at night in these hotel rooms
I think of all I've lost and what I've put you through
If I knew the reason I would tell you
Why somehow the feelin' slipped away
I only did what I had to do
Not 'cause I wanted to
I've got a guilty heart and a troubled mind
No matter where I go, they're never far behind
I'd like to think that you've forgiven me
But forgiveness ain't enough to wash my conscience clean
And if I knew the reason I would tell you
Why somehow the feelin' slipped away
I only did what I had to do
Not 'cause I wanted to
I only did what I had to do
Not 'cause I wanted to -
Love came and hit me
Straight on the lips
The longer we're kissin'
The better it gets, and baby that's all right
You got me standing beside myself
You know it ain't like me
It's like I'm somebody else
But baby that's all right
You're not the man I was lookin' for
You're every bit of him plus a whole lot more
Now that I got you, it feels so good
I don't wanna let you go
I plead guilty, babe, of this terrible crime
You been lovin' me all of this time
I must have been blind
What's gonna happen?
What'll I do?
Whatever it is, I wanna do it with you
I feel just fine
You're not the man I was lookin' for
You're every bit of him plus a whole lot more
Now that I got you babe, it feels so good
I don't wanna let you go
Ain't it peculiar how loves comes about?
When you're not lookin', you'd better look out!
You're not the man I was lookin' for
You're every bit of him plus a whole lot more
Feels so good
Now that I got you to myself
I'm gonna keep you for myself
Now that I got you
I don't wanna let you go
Won't let you go
You're not the man I was looking for
You're every bit of him plus a whole lot more
Now that I got you babe, it feels so good
I don't wanna let you go
Now that I got you babe, I don't wanna let you go -
Jimmy's not a high concept guy
But he's front page news, let me tell you why
He's on the cover of the New York Post
All three networks, coast to coast
All he needed was a hot night in June
'Cos he had the needle and he had the spoon
When he spiked it bit, and man, he flew
Into America's living room
We all love tragedy, it loves us too
It's a marriage made in Hollywood
Between greed and you
All you need to be a star is to die in open view
It's a marriage made in Hollywood
Between greed and you
Between greed and you
Between greed and you
Loved by women, admired by men
He walked down broadway with his best friend
His brain was wired like a light in a socket
With his old friend in his back pocket
That horse could kick, that horse could scream
Ride you out of here into a different scene
Unrequited love, that makes it fair
But who keeps score when you're in mid-air?
We all love tragedy, it loves us too
It's a marriage made in Hollywood
Between greed and you
All you need to be a star is to die in open view
It's a marriage made in Hollywood
Between greed and you
Between greed and you
Between greed and you
Like a free-fall chute that didn't open
He looked down to see his dream was broken
He stared back up at a hot grey sky
Re-run his life and then he died
Well if you jump off a building, brother beware!
'Cos my friend Jimmy woke up mid-air
No time to smile, no time to wave
They buried him in a media grave
We all love tragedy, it loves us too
It's a marriage made in Hollywood
Between greed and you
All you need to be a star is to die in open view
It's a marriage made in Hollywood
Between greed and you
Between greed and you
Between greed and you -
It was more than just any old Friday night fight
With your mean left hook and my roundhouse right
We were both goin' for the heavyweight crown
TKO in the very first round
Thought you were gettin' the best of me
Floatin' like a butterfly, stingin' like a bee
Thought a good fight would get it out of our system
But we walked away with a split decision
Well, when we first met, you were a real knockout
I was head over heels, I was down for the count
But gettin' along got harder and harder
'Til we were nothin' more than sparrin' partners
I did my best to roll with the punches
You wore me out with fakin' and a-duckin'
Almost put me outta comission
But we walked away with a split decision
Split decision
Split decision
Everbody lose and nobody winnin'
Just too tough, I had enough
Nobody oughta hafta fight for love
We took a split decision
I did my best to roll with the punches
You wore me out with fakin' and a-duckin'
Almost put me outta comission
But we walked away with a split decision
Split decision
Split decision
Everbody lose and nobody winnin'
Just too tough, I had enough
Nobody oughta hafta fight for love
Split decision
Split decision
Everbody lose and nobody winnin'
Just too tough, I had enough
Nobody oughta hafta fight for love
We took a split decision -
I'm walkin' through the summer nights
Jukebox playing low
Yesterday everything was goin' too fast
Today it's moving too slow
I got no place left to turn
I got nothing left to burn
Don't know if I saw you
If I would kiss you or kill you
It probably wouldn't matter to you anyhow
You left me standin' in the doorway cryin'
I got nothing to go back to now
Maybe they'll get me, and maybe they won't
But not tonight and it won't be here
There are things that I could say but I don't
I know the mercy of God must be near
I've been ridin' the midnight train
I got ice water in my veins
I would be crazy if I took you back
It would go up against any rule
You left me standin' in the doorway cryin'
Sufferin' like a fool
When the last rays of daylight go down
Buddy you're older no more
I can hear church bells ringin' in the yard
I wonder who they're ringin' for
Oh I know I can't win
But my heart, it just won't give in
I see nothin' to be gained by any explanation
There are no words that need to be said
You left me standin' in the doorway cryin'
Blues wrapped around my head -
Darkness settles on the ground
Leaves the day stumbling blind
Coming to a quiet close
And maybe just in time
We've almost lost the heart to know
How to keep our best in mind
We've almost lost the heart to know
How to keep our best in mind
Time has turned an angry face
Throws a dark eye back to sea
But what will pass for mercy now
We'll practice unforgivingly
As if might and will make right
Or either one could make us free
As if might and will make right
Or either one could make us free
Lovers laugh and cross this way
They're weaving out into the street
It seems we never were so young
Or it was never quite so sweet
But the world is always beautiful
When it's seen in full retreat
The worst of life looks beautiful
As it slips away in full retreat
God only knows that we can we do
No more or less than he'll allow
God only knows that we mean well
God knows that we just don't know how
But I try to be your light in love
Pray that is enough for now
Well I tried to be your light in love
And I'll pray that is enough for now